Yoga Poser

We were standing in Warrior II (never one of my favorite poses as it forces me to look at my body in the studio mirror at an unflattering side angle), posed with our back legs straight, our front legs bent at a 90° angle, and arms outstretched in both directions, one over each leg.

“What is the significance of looking forward over your bent leg in this pose?” Judd asked the class as he walked down a row of rubber mats, correcting postures as he went.  Someone said something in response, but I didn’t catch it over the music. But Judd did.

“Yes!” he said. “We are reaching back into our past and forward into the future, but our our Drishti – our gaze – is focused on the future. On what comes next.” He gave another direction moving us into the next pose and picked up the thought. “Remember, this doesn’t mean that we are alluding our pasts. We have one arm in that, as well. Your past has brought you to where you are today. We embrace all that is there, and we take it with us into the future.”

I suppose that most people would hear this and it would sound like basic and banal yogi-banter. I didn’t hear it that way, though. It lodged in my throat like a hot stone and its heat radiated up toward my eyes, threatening to convert its heat to tears. I managed to keep my composure until Shavasana (the end of the class where you lay on your back, which I use to catch my breath), when I allowed the tears to slip from my eyes and into my ears. But that’s the great thing about hot yoga; tears look just like sweat and no one notices.

My entire adult life, I have struggled with my relationship to my own past. I once joked to a therapist that when I look back on my life, it looks to me like a long chain of choices, and at every decision point it is clear in retrospect that there were only two possibilities: a) the correct choice and b) the choice I made.

This is completely false, of course. There are rarely only two choices, for one thing. And for the most part, there are no correct or incorrect choices.  You do your best (you choose a college, a major, a partner, a job…) and you live with the consequences, good and bad. It’s possible that another choice may have yielded fewer negative consequences, but probably not. At any rate, you’ll never know.

I used to imagine there was an alternative version of me in some parallel universe who made all the “right” decisions and was living a better and more productive, healthier, more fulfilling life. She was also taller, for some reason. Probably because she ate all of her vegetables as a child.

If I wasn’t imagining Better Rachel, I was pining for a blank slate, free of marks and chalk dust. I desperately wanted a do-over life on a pristine white page without all those cross outs and scribbles and misspelled words. “Could I just rewrite the whole thing, knowing what I know now? Is that so unreasonable?”

Maybe not, but it was impossible. So I made peace with my past in the only way I knew how, growing up Mormon in Utah: as passive-aggressively as fuck. Don’t think about it. Don’t talk about it. Don’t look at old pictures, and definitely don’t go back and listen to 90s music! That will bring up memories and totally suck me into a mire of sadness. I can’t listen to any music I have owned for more than a few years, in fact. There is just something about music that can take me back to different chapters of my life, like a time machine to one of my former selves. I can’t do it. Something inside me jumps up and says, “We gotta get out of here! I don’t want to visit this person! Back to the future! Run for the DeLorean!”

Side note: I recently rewatched that movie. It wasn’t quite as cute as I remembered. It’s actually kind of rapey. Just sayin’.

After my Dry January post last week, I got a message from a friend. (I heard from several of you; thank you all for that.) She told me not to miss last week’s My Favorite Murder, one of our favorite podcasts. “Georgia is also doing Dry January!” I downloaded it and listened. I have to say, I was not expecting her to be as positive as she was about her break from drinking. She is often drinking cans of wine while she records the podcast and I thought she would say something about it being hard to take a long break. But then she said something to the effect of, “I just like waking up and not feeling all of the guilt!” but it would have had the f-word in it. Georgia can’t say a whole sentence without at least two f bombs. But whatever she said, I was nodding.

I’m seventeen days into Dry January now and I feel good. I’m sleeping well. My head feels clear. I’m not feeling as positive as Georgia sounded because I still miss wine. Life is really damn long and just a lot to take in general. Wine helps with that. But I’m not feeling guilty about drinking at that is really nice.

How often have I been feeling bad about something I did so I drank, and then I felt bad about that, so I ate a casserole of comfort food and then I felt bad about that… and on and on it stacks into a multilayered mess. Like a deep dish lasagna made of shame and cottage cheese. Why cottage cheese? Because that is how my mother made it when I was a kid, either because we couldn’t afford Ricotta or because you couldn’t get it in suburban Utah in the 80s, or possibly both. And it was gross.

Georgia was saying that she feels great and might give up drinking all together. I’m not there, I have to be honest. But I don’t want to feel all that guilt any more. If only I could actually fully embrace my past and let that shit go, instead of just pretending it was a past life that didn’t have all that much to do with me, maybe it wouldn’t feel so heavy a burden to carry sometimes. And in that vein, maybe if I could accept my decisions as me doing my best, then the next morning I won’t wake up feeling like cold cottage cheese lasagna. (If I keep pushing it, this metaphor will work! I can feel it!)

I got a new planner for 2020 to keep track of appointments and to-do lists. Yes, I have a smartphone, but I am also a Luddite. I opened it up and the first page had a space for a personal mission statement for the year of 2020. My first response was “yuck! I’m not doing that!” But as I’ve been working through all of these thoughts about where I am in life right now, I ended up taking a stab at it. It’s a little clunky, but it gets the point across. It says, “In 2020, as part of my continued efforts to live a full and well examined life, I will focus of self-acceptance (especially where my physical self and my career goals are concerned) and letting go of guilt and regret.”

I’m also going to do more yoga. And it just so happens that I was looking through storage for some stationary and I stumbled over Everything But the Girl’s album Amplified Heart on CD, which I think I purchased in 1996. I pulled it out and I’m going to listen to it this weekend. But I’m not going to drink while I listen to it. Maybe in a couple of weeks, I’ll have some wine. Not because my inner wine gremlin wants some. But if I choose to, then I’ll have some. And then I will let that shit go.

 

 

About Rachel Lewis

I am a writer, ceramic artist, knitter, and new stepparent. As a playwright, I had six short plays produced in showcases and festivals in Manhattan, Salt Lake City, and Austin. My full-length play, Locking Doors, was presented by Wordsmith Theatre Company in The New Lab Theatre (University of Utah) in 2005. I co-wrote a teleplay titled “Thank God I’m Atheist” which won the 2015 “No God But Funny” contest founded by the Center for Inquiry. My short nonfiction essay, “It’s Coming Down,” was published by the online literary magazine Halfway Down the Stairs. I currently work in pharmaceuticals professionally and write recreationally, but dream of making the transition to write professionally and do pharmaceuticals recreationally. I am a Utah native and live in Salt Lake City with my Yorkshire terrier, Wensleydale Doggiepants. I am working on a collection of humorous non-fiction essays and a second full-length play. Follow me at: rachelclewis.com @rachel_lewis_ut (Twitter) @rachel_lewis_ut (Instagram)

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