At long last! It took all summer, but the tube scarf is finally done. (I wrote about the failed attempt back in this post.) These little stitches are no joke, my friends!
I really like this pattern. And not just because it is free, but I am cheap AF so that certainly is nice. I love how there is only a public side (or “right” side, as most knitters say) and that makes it soft from every angle that touches your skin. When I first started working on it a few people asked me what the heck I was making, with a raised eyebrow and a doubtful frown, as it didn’t look like any kind of scarf they had ever seen. But now that it’s done I think it’s nifty. I’m even proud of how even my stitches are… though when I go back and look at the photo on the pattern I’m amazed at the work. How do they do that? These are not knitters, people. They are wizards!
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About Rachel Lewis
I am a writer, ceramic artist, knitter, and stepmom. As a playwright, I had six short plays produced in showcases and festivals in Manhattan, Salt Lake City, and Austin. My full-length play, Locking Doors, was presented by Wordsmith Theatre Company in The New Lab Theatre (University of Utah) in 2005. I co-wrote a teleplay titled “Thank God I’m Atheist” which won the 2015 “No God But Funny” contest founded by the Center for Inquiry. My short nonfiction essay, “It’s Coming Down,” was published by the online literary magazine Halfway Down the Stairs. My essay "The Red Rock Chronicles" was published in Contemporary West magazine. I currently work in pharmaceuticals professionally and write recreationally, but dream of making the transition to write professionally and do pharmaceuticals recreationally. I am a Utah native and live in Salt Lake City with my family and our Goldendoodle. I am working on a collection of humorous non-fiction essays and a second full-length play.
Follow me at:
rachelclewis.com
@rachel_lewis_ut (Twitter)
@rachel_lewis_ut (Instagram)
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